Lakshmy Natarajan
Carnatic music is considered one of the most ancient music systems in the world. It is a learned music that is full of emotion and involves a lot of improvisation.
Françoise Atlan
Approach the sung repertoire of the poetic and musical world of the Sephardic tradition, compared to the Arabo-Andalusian repertoire, both emblematic of the "Al Andalous" period.
PROCHAINES DATES : 26 et 27 octobre, 16 et 17 novembre, 14 et 15 décembre 2024 / 18 et 19 janvier, 15 et 16 février, 15 et 16 mars, 12 et 13 avril, 10 et 11 mai, 14 et 15 juin 2025
Aïcha Redouane
Aïcha Redouane’s songs express the spiritual development of a path of love and light.
Tristan Morelli
The oral tradition of Corsican vocal polyphony is wide open to expression through its various forms. The rawness and vitality of these songs take you on a journey to the depths of an often underappreciated Corsica, which is as mountainous as it is welcoming, as astonishing as it is generous.
Namrata Dentan
Dhrupad is the oldest surviving classical musical tradition in North India. The accuracy of the voice of sound frequencies and micro-tones are the essence of Dhrupad.
Lessons by zoom or whereby on request - Infos below
Anna Koti
These classes are aimed at those who wish to develop their vocal ability and discover the performance of Greek song and its diverse styles: traditional, rebetiko, popluar and contemporary.
Bijayshree Samal
Indian Classical Music is so rich that every human emotion, every restrained feeling in man and nature can be musically expressed and experienced.
Vocal techniques, instrumental accompaniment and classical repertoires from Iran
Hossein Rad
Designed for all levels, this course will introduce you to the vast repertoire of classical Iranian singing, ranging from lyrical songs (17th to 20th centuries) to non-rhythmic songs and modal improvisations (avaz).
NEW COURSE - Children from 5 years old
Mónica Prada
This collective workshop proposes the discovery of a varied repertoire of songs in Spanish: from children's rhymes and popular nursery rhymes, to traditional songs from various Latin American countries.
Dates 2024 : 11/09, 8/10, 30/10, 12/11, 27/11, 3/12, 11/12
Massimo Laguardia
Nicuzza, en langue sicilienne, signifie Piccolina, terme qui donne le sens de cet atelier, qui a pour but rapprocher les élèves à l’interprétation et à la mise en musique de chants traditionnels et modernes.
2 WORKSHOPS: les Aoédé et les Chaga
Sylvie Zahnd
NEW GROUP ON THURSDAY MORNING, IN THE CREATION PHASE: The Chaga, a workshop based on the same system as the Aoédé.
Les Aoédé is a small group of women brought together by the desire to explore and blend their voices in a friendly and benevolent atmosphere.
The repertoire is based on the polyphonies of Georgia but also of the Balkans, Greece, Turkey and Northern Europe.
NEXT DATES: November 2, 9, 23; December 7, 14, 21
Anass Habib
This course is presented as a grand musical tour where experienced singers, participants with knowledge of music theory and music lovers will set out together to discover a repertoire rich in history.
WORKSHOP
Frank Kane
The Republic of Georgia has a rich and varied tradition of polyphonic singing that is at least 1000 years old. The folk songs are an oral tradition and include genres such as work songs, wedding songs and healing songs.
Regular Workshops
Clotilde Rullaud
These regular workshops are a chance to try out the Martina A. Catella method and its Sing the World application, in order to ‘discover the voice, the world, its cultures and languages through song’. This original approach brings together technique, games and repertoires borrowed from traditional societies the world over for their learning values and beauty.
Valentina Volonté
The workshop includes vocal and physical warm-up times, an ethnomusicological discovery of the songs through listening to the collections and learning a repertoire.
January 14 & 15, March 11 & 12, June 10 & 11, 2023
Héloïse Fracheboud
Yodeling is the cry that becomes a melody, sometimes nostalgic and contemplative, sometimes joyful and festive, it can be "raw" as well as very sophisticated, with the same purpose: to express oneself, to share a part of what moves us, to materialize the unspeakable.