Traditional Persian music is the result of a rich history of evolution and exchanges around what is now contemporary Iran, which makes its music one of the most refined modal forms in the world. Improvisation holds a fundamental place within it and is based on a complex system involving a great number of essential melodies that make up its repertoire, the radif. Learning this subtle art requires the integration and articulation of these melodies through practice of one or several of its instruments, as well as the numerous techniques of ornamentation that belong to them.
This class offers training in traditional Persian music through introductory or advanced practice of two of its principal instruments: the târ and setâr lutes.
Classes are open to all – from beginners through to advanced – and adapt according to the needs of the student. However it is necessary to bring your own instrument (though Sogol can offer help in acquiring one if needed).
Depending on personal preferences, the vast Persian repertoire can be approached through the oral tradition or by musical notation, as is the current practice in Iranian conservatories.
Trained in Iran in the art of playing the târ and sétâr lutes, instruments emblematic of Persian classical music, Sogol Mirzaei quickly established herself as a soloist, composer, and member of prestigious ensembles, thanks to the sensitivity and elegance of her playing. She moved to France to continue her studies, where she obtained a Master's degree in musicology from Sorbonne University. Today, Sogol performs around the world, both as a soloist and with various ensembles, bringing her compositions and improvisations to the heart of the great Iranian tradition and contributing to its contemporary influence. Founder of the Ensemble Chakâm, she also collaborates with many other artists. She has performed with Orpheus XXI conducted by Maestro Jordi Savall, with Sowal Diabi alongside Mamani Keïta, with the Atine quintet, and with Iranian singer Sepideh Raissadat and Franco-Iranian percussionist Keyvan Chemirani. She has contributed to an eclectic discography, with albums such as Les vents brûlants, Les Persiennes d'Iran, Bostântchi, and De Kaboul à Bamako.
PLACE :
Ateliers d’ethnomusicologie
10, rue de Montbrillant - 1201 Geneva
TIMETABLE :
One per month :
Saturday : 10h-20h
Monday: 10h-20h
Prochaines dates : To confirm with the professor
FEES :
70 EUR 60 min lesson
110 EUR 90 min lesson
CONTACT :
T : sogolse@gmail.com
Children and Adolescents - From 8 years
Maud Brulhart
Maud has been teaching flamenco dance to children from the age of 8 through to 16 for several years now and caters to different levels of ability.
Adultes / seniors
Mónica Prada
This collective workshop proposes the discovery of a varied repertoire of songs in Spanish: from children's rhymes and popular nursery rhymes, to traditional songs from various Latin American countries.
NEW COURSE
Gofefo Konaté
The balafon is a very accessible instrument that can be played both in a group and as a solo instrument. Similar to the ostinatos in classical music, it allows you to play rhythmic patterns — whether simple or very complex — in a repetitive manner.
Daniel Renzi
Anyone from 7 to 107 years old can learn to play the flamenco guitar—even beginners!
For beginners, learning the instrument starts with simplified melodic and rhythmic patterns, as well as a set of exercises.