Gnawa music originated in the Maghreb from the cultural practices that Black African slaves brought with them. It is called Gnawa in Morocco, Diwan in Algeria, and Stambali in Tunisia and Libya.
The Gnawa fraternity is the result of exchange and amalgamation between West and North Africa. The music and rituals of the Gnawas are thought to have their roots in Sahelian practices that were adapted by the descendents of Sub-Saharan Muslims in the Maghreb.
The possession ritual, in which African and Arab-Berber influences fuse, serves to drive out the evil that man suffers from and to restore balance to one’s interior universe. This is achieved through music, songs, invocations and the dance of possession.
Gnawa musicians have long been marginalised, but are now internationally recognised and participate in numerous musical fusion projects.
With teaching adapted to all levels, the classes include a brief presentation of the Gnawa rhythms, and will be followed by an introduction to the guembri and karkabous. The aim is to achieve a degree of rhythmic autonomy on the instruments.
Introduction to basic rhythms of the main instruments
Identification and progressive control of the interplay between the guembri and the karakbous
Discovery of the energy and spirit of the Gnawas through the pleasure of playing rhythms
Born in 1980, Khalil is a Gnawa musician based in Geneva and a member of the group Jil Gnawa. Having travelled for his whole childhood, he was formed by the mix of cultures he came into contact with (Maghreb, Sub-Saharan, Indian, North American and European).
He discovered the guembri (the Gnawa bass) and Gnawa music in 2005, then met the Maalem (Gnawa master), Mohamed Khabba. He settled in Geneva and has dedicated himself ever since to this art (percussion, song, dance and guembri).
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Group lesson (from 3 students) : 25 frs / hour Individual lesson :40 frs / hour
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