Gnawa Music
Gnawa music originated in the Maghreb from the cultural practices that Black African slaves brought with them. It is called Gnawa in Morocco, Diwan in Algeria, and Stambali in Tunisia and Libya.
The Gnawa fraternity is the result of exchange and amalgamation between West and North Africa. The music and rituals of the Gnawas are thought to have their roots in Sahelian practices that were adapted by the descendents of Sub-Saharan Muslims in the Maghreb.
The possession ritual, in which African and Arab-Berber influences fuse, serves to drive out the evil that man suffers from and to restore balance to one’s interior universe. This is achieved through music, songs, invocations and the dance of possession.
Gnawa musicians have long been marginalised, but are now internationally recognised and participate in numerous musical fusion projects.
Class
With teaching adapted to all levels, the classes include a brief presentation of the Gnawa rhythms, and will be followed by an introduction to the guembri and karkabous. The aim is to achieve a degree of rhythmic autonomy on the instruments.
Goals
Introduction to basic rhythms of the main instruments
Identification and progressive control of the interplay between the guembri and the karakbous
Discovery of the energy and spirit of the Gnawas through the pleasure of playing rhythms
Born in 1980, Khalil is a Gnawa musician based in Geneva and a member of the group Jil Gnawa. Having travelled for his whole childhood, he was formed by the mix of cultures he came into contact with (Maghreb, Sub-Saharan, Indian, North American and European).
He discovered the guembri (the Gnawa bass) and Gnawa music in 2005, then met the Maalem (Gnawa master), Mohamed Khabba. He settled in Geneva and has dedicated himself ever since to this art (percussion, song, dance and guembri).
PLACE:
ADEM MARAICHERS
44, rue des Maraîchers - 1205 Geneva
TIMETABLE:
Monday 19h-21h
FEES:
Group lesson (from 3 students) : 25 frs / hour Individual lesson :40 frs / hour
CONTACT:
T : 078 911 72 94
Email : jilgnawa@gmail.com
UPCOMING DATES: October 5, November 16, January 11, February 15, March 15, April 26
Jenny Demaret
These group lessons are for instrumentalists who have a good knowledge of their instrument. The work will be done mainly by ear, but scores will be made available if needed.
Private or video lessons on request
VIVIAN' ADAYA
Viviana sees Oriental dance as a unifying force in its traditional form, because it touches upon one’s deepest being. The dance remains both sacred and feminine for her. She recognises the therapeutic powers of dance and it is with this in mind that she transmits her knowledge.
DATES 2025-2026: sep 20-21 ; oct 18-19 ; nov 22-23 ; dec 13-14 ; jan 17-18 ; feb 14-15 ; mar 21-22 ; apr 11-12 ; mai 16-17 ; jun 20-21
Aïcha Redouane
Aïcha Redouane’s songs express the spiritual development of a path of love and light.
Next courses: October 18 & 19, December 13 & 14, 2025, February 7 & 8, April 11 & 12, June 20 & 21, 2026
Fouad Didi
These monthly courses are for musicians from all backgrounds mastering one of the following instruments: Violin, cello, oud, guitar, mandolin, qanun, flute, clarinet, ney, derbouka, daf, bendir, etc.