Avec le soutien :
This private or semi-private class is designed for flamenco dancers who want to deepen their knowledge and understanding of the codes and language that bring together dance, song, and guitar.
It is designed for students who wish to perfect their skills in this art form and create their own choreographies based on what they have learned, as well as for those who want to delve deeper into a passage they are struggling to incorporate into their dance routine.
For flamenco dancers, it is essential to be able to rely on listening to the guitar and singing to fully understand what is happening throughout a baile, to know the names of the different sections, and to grasp the coherence in their sequence. The goal is to be able to clearly and precisely communicate the structure of one’s dance when performing with live musicians, or to know what to do and where to position oneself when choreographing to recorded music.
With 18 years of experience teaching guitar and more than 20 years in sociocultural activities, he has also led numerous workshops at schools such as the Rudolf Steiner School and the Active School, as well as at Andalusian associations in Geneva, Fribourg, Nyon, and Martigny.
He also accompanies dance classes led by various dancers in Switzerland, Spain, and France—either on a regular basis or during workshops in Spain and Switzerland—including Ana la China (CH), Antonio Perujo (CH), Maud la Manuela (CH), Naomi Guerrero (CH), Melissa Salcedo (CH), Octavia de la Vega (CH), José Candela (Granada), La Tati (Madrid), Carmen Ledesma (Seville), Manuela Carpio (Jerez), Ana Maria Lopez (Jerez), Raimundo Benitez (Granada), Manuel Guitieres (Montpellier).
As a guitarist with the group La Cueva Flamenca, he has gained stage experience performing alongside both local and internationally renowned artists. He completed his training in flamenco guitar under various masters: José Manuel Tudela, Domingo Rubichi, Manuel Losada el Carbonero, Agustín de la Fuente, Jesús El Guardia, Daniel Manzanas, and Enrique Bermúdez.
He has played and continues to play other styles—including blues, rock, Brazilian music, Gypsy music, and klezmer—before immersing himself in the world of flamenco; as a result, he is a versatile, open-minded guitarist who listens attentively to others. He also directs La Fanfare du Château.
LIEU et HORAIRES :
à définir avec le professeur
TARIF :
160.-chf/heure par personne jusqu’à 3 personnes
Cotisation ADEM obligatoire (50.- CHF par année)
CONTACT :
T : +41 78 788 04 20
Email : danielrenzi73@gmail.com
Photo : Gilbert Badaf
Hossein Rad
Conçu pour tous les niveaux, ce cours vous fera découvrir le vaste répertoire du chant classique iranien, allant des chants lyriques (du XVIIe au XXe siècle) aux chants non rythmiques et aux improvisations modales (avaz).
2 WORKSHOPS: les Aoédé et les Chaga
Sylvie Zahnd
The Chaga, a workshop based on the same system as the Aoédé.
Les Aoédé is a small group of women brought together by the desire to explore and blend their voices in a friendly and benevolent atmosphere.
Priscilla Gauri
Kathak classes begin with learning and practicing foot rhythms (tatkar), as well as the vocabulary of synchronised body movements, then diverse choreographies, rhythmic sequences, as well as invocations to the hindu gods (Bandana).
NEW CLASS & Group class around the Afghan repertoire coming soon
Mathieu Clavel
Of Pashtun origin, the rubab (or rabab, robab) with its unique sounds is an instrument of choice in this area to accompany Sufi poems and popular songs.