The traditions of the ashik, the Anatolian bards whose names mean 'in love', go back to the Middle Ages. Today, this tradition is maintained by professional musicians, poets and performers who accompany their songs with various long-necked lutes: saz, divan, cura, selpe ... Both mystical and message-driven, ashik is the mirror of its people, as it translates their hopes, joys and suffering. Its language is constantly embellished with symbolic allusions to a reality, which for one reason or another, is often preferable to conceal. The repertoire that Ozan Çagdas and his friends offer follows the compositions of Yunus Emre, mystic of the 13th century, through to that of the contemporary poet Nazim Hikmet, while also passing by the work of the legendary Pir Sultan Abdal (16th century).
Ozan Çagdas was born near to Sivas in a central Anatolian county known for its wealth, musical tradition and poetry. He began playing the saz as a child and started his career out by participating in a singing competition in his home region.
Ozan has been based in Geneva since 1982, where he continues to develop his music career, notably by leading this workshop in Anatolian music, a melting pot of renewal and tradition.
PLACE :
Ateliers d'ethnomusicologie
10, rue de Montbrillant - 1201 Genève
TIMETABLE :
Wednesday : 12h-18h
Thrusday : 18h-20
Sunday : 12h-16h
FEES :
Price on request (collective workshop - individual course)
CONTACT :
T : 076 225 20 10
Email : ozan.cagdas@gmail.com
6 Sundays a year, 10am-1:30pm break included, followed by a shared meal + possibility to stay and play for the Swedish dance workshop in the afternoon
Jenny Demaret
These group lessons are for instrumentalists who have a good knowledge of their instrument. The work will be done mainly by ear, but scores will be made available if needed.
NEW COURSE - Children from 5 years old
Mónica Prada
This collective workshop proposes the discovery of a varied repertoire of songs in Spanish: from children's rhymes and popular nursery rhymes, to traditional songs from various Latin American countries.
Possibility of lessons by video conference, individual or group lessons. Infos : pedroratto@hotmail.com
Pedro Ratto
Differents courses with the aim to learn on guitar tango and the different rhythms of Argentine music.
Levon Chatikyan
This wind instrument of Armenian origin consists of a cylindrical body and a double reed. There are 8 finger holes on the duduk’s front and two thumbholes on its back. A piece of reed acts as sound and air regulator. The duduk is a simple instrument but one that produces a unique sound.