We will deepen the Swedish repertoire from different regions of Sweden, through a research of style (phrasing, bowing, ornamentation, footwork), sound work and ensemble playing. We will be particularly interested in the supports and accents to integrate into our playing to make people dance. In parallel to our workshop, a Swedish dance workshop will take place (https://adem.ch/fr/cours/atelier-de-danse-suedoise). For those musicians who wish to do so, an exchange between musicians and dancers will be organized on the same Sundays in the early afternoon, where the musicians will be able to play for the dance, dance by themselves, and discuss with the dancers.
The traditional Swedish music is mostly fiddle music, but other instruments are welcome: nyckelharpa, cello, viola, clarinet, flute, accordion...
Jenny Demaret is a French nyckelharpist and violinist. She trained in traditional music at various schools in Sweden, then at the Conservatoire de Limoges. She holds a DEM (Diplôme d'Études Musicales) in traditional music and a DE (Diplôme d'Etat) in music teaching. In addition to her teaching activities, she plays in various traditional music groups for concerts, balls and dance workshops.
PLACE:
Ateliers d'ethnomusicologie - 10, rue Montbrillant - 1201 Geneva
TIMETABLE & DATES:
One Sunday a month (see calendar)
9-10am: beginners' dance (or dance for musicians)
10am-1pm: music workshop
2pm-4pm: dance games in collaboration with the Swedish dance workshop
September 8, 2024 at ADEM Maraîchers
October 6, 2024 at ADEM Maraîchers
November 24, 2024 to ADEM Maraîchers
December 15, 2024 to ADEM Maraîchers
January 12, 2025 to ADEM Montbrillant
February 9, 2025 to ADEM Montbrillant
March 9, 2025 to ADEM Maraîchers
April 6, 2025 to ADEM Montbrillant
May 18, 2025 to ADEM Montbrillant
June 15, 2025 to ADEM Maraîchers
FEES :
60 CHF per Sunday / 50 CHF Adem membership
CONTACT :
T : + 33 (0) 6 28 14 33 57
Email : jennydemaret@yahoo.fr
Website : https://www.jenny-demaret.com
Maya Quiminal
This 2 classes focuses on two dances: One is dedicated to Bollywood dances and one to all the dances from East Orient.
Levon Chatikyan
This wind instrument of Armenian origin consists of a cylindrical body and a double reed. There are 8 finger holes on the duduk’s front and two thumbholes on its back. A piece of reed acts as sound and air regulator. The duduk is a simple instrument but one that produces a unique sound.
Françoise Atlan
Approach the sung repertoire of the poetic and musical world of the Sephardic tradition, compared to the Arabo-Andalusian repertoire, both emblematic of the "Al Andalous" period.
Private or video lessons on request
VIVIAN' ADAYA
Viviana sees Oriental dance as a unifying force in its traditional form, because it touches upon one’s deepest being. The dance remains both sacred and feminine for her. She recognises the therapeutic powers of dance and it is with this in mind that she transmits her knowledge.