Viviana is trained in many styles of dance and is of Italian-Swiss origin. Having always been passionate about Eastern dance and melodies, she began training in 1985 with renowned artists, principally of Egyptian and Moroccan origin, before developing her own style.
Viviana organise a workshop with the dancer SAHRA SAEEDA (Los Angeles) in Geneva. Next workshop : From 24 to 27 September. Lecture upon the Dances of Egypt on 24 September.
Viviana is trained in many styles of dance and is of Italian-Swiss origin. Having always been passionate about Eastern dance and melodies, she began training in 1985 with renowned artists, principally of Egyptian and Moroccan origin, before developing her own style.
Viviana has been teaching since 1997 in various dance schools in Geneva and has run workshops both in Switzerland and further afield. She regularly organises workshops with famous oriental dancers such as Sahra Sayeeda.
LOCATIONS:
ADEM 2 - 44, rue des Maraichers - 1205 Genève
Ateliers d'ethnomusicologie - 10, rue de Montbrillant - 1201 Geneva
SCHEDULES:
Monday: 44, rue de Maraîchers
6pm - 7.15pm Intermediate I (Maraîchers)
7.30pm - 8.45pm Troupe Angelis (Maraîchers)
Wednesday: 10, rue de Montbrillant
5.30pm - 6.45pm Beginners (Montbrillant)
6:45 pm - 8:00 pm Intermediate II - advanced (Montbrillant)
RATES: see www.vivianadaya.net
Comments: trial class: CHF 20.00 (refundable if enrolled)
Yearly commitment - 1 class of 75 min / week:
Full price: 3x 400 CHF (quarterly payment)
Students / OASI: 3x 365 CHF (quarterly payment)
10-class card: CHF 350
Rules and details: www.vivianadaya.net
Private lessons: information on request
CONTACT:
T : 078 626 95 02
Email: vivianatelierdesanges@gmail.com
Site internet : www.vivianadaya.net
Page Facebook : https://www.facebook.com/atelierdesanges/
Regular Workshops
Clotilde Rullaud
These regular workshops are a chance to try out the Martina A. Catella method and its Sing the World application, in order to ‘discover the voice, the world, its cultures and languages through song’. This original approach brings together technique, games and repertoires borrowed from traditional societies the world over for their learning values and beauty.
New program
With Mariya Khan
These dances belong to several distinct categories: work dances, ritual dances, military dances and women's traditional dances. Attention is drawn to the upper part of the body: the head, the movements of the arms and hands, as well as the dancer's facial expression.
Léonard Gremaud
Irish music boasts an enormous repertoire, so the accent will be placed on learning and interpreting the jigs, reels, hornpipes and polkas that are most often played and enjoyed today in jam sessions.